Setting up the Uneven Spaced Pair is pretty easy. Do you use the live overhead placement in the studio? However, there are two different approaches to A-B Stereo that are often genre dependent. The N8s can also be positioned in ORTF above a drum set as well as in Glyn John’s famous drum configuration. Anywhere on that arc you can place the second mic. The term used to describe this is the SRA or Stereo Recording Angle. Read This Now, Drum Leveller Or Compressor - Which One Should You Use? What are your thoughts on XY vs Space Pair for drum overheads? It’s all about where things appear between the speakers, so why do so many people set their overheads either side of the kick drum? This is when the same sound is heard equally in each ear. How does sound appear to come from between the speakers when there is no speaker there? Anything within the area of pickup will sound like it is coming from where it is physically positioned. If however, you’re recording in a small, domestic space (and plenty of people are) then you probably want to favour close mics and get the rest of the sound of the kit with as little ‘room sound’ as possible because of your, less than ideal, room. It’s natural to favour symmetry, we’re hardwired to like it. Some people see XY as a bit of a “boring” choice but I’d prefer to think of them as reliable. If the mics are as close as possible we get XY, with the mutual angle between the mics and the polar pattern being the things that affect the SRA. So depending on how wide your sound source is and how far you are from it, there are mic placements that will be “right”, with the sound source properly filling the space between the speakers, and placements that are “wrong”, with the sound source not being adequately accommodated in the space between the speakers, by being either too narrow or too wide, if sounds are too wide then everything on the edges gets piled up on top of each other. To understand how it makes a difference here’s the maths: When there is no time difference between the loudspeaker signals, then a level difference of 15dB between the right (+15dB) and the left (0dB) will move the phantom image all the way to the right. In 1931, Alan Blumlein, an engineer for EMI, invented stereo recording by demonstrating the natural reproduction of the soundstage in one of the Abbey Road studios in London. If the idea of a pair of overheads is to capture a stereo picture of the whole kit, rather than be cymbal mics, then exactly what is this arrangement trying to achieve and where does it come from? There are rules about this, though these are often misinterpreted as the only way to do stereo - they aren’t, but they are good ways and they are codified so as to be repeatable. So where does this spaced cardioids facing inwards thing come from? This technique is extremely accurate and gives a direct center image with a wide sense of space. The two ribbon elements are angled at 90 degrees and mounted in close proximity to each other along the vertical axis of the microphone. Recording your drum tracks can be one of the most challenging aspects of recording your bands music, and setting up your drum overheads is the start. With the Blumlein technique, a sense of realism is created. Friend of the blog Mike Exeter agreed: “I agree about the live thing - that is a good observation. Capturing drum sounds is a good way to understand the incredible accuracy of the Blumlein method. So many people don’t do this and as a result the snare is off to one side in the overheads. To check I wasn’t imagining it I checked with the team and beyond. are level and timing. By using cardioids and angling them in on the snare you end up with little meaningful positional contribution from the level differences introduced by the polar pattern. In the diagram below, an R88 stereo mic is positioned above a drum set in Blumlein configuration. In a recent conversation among the team we were discussing what the thinking was behind the apparently common practice of using a spaced pair of cardioid mics, often facing inwards, as a pair of overheads on drums? However the sound of a recorded drum kit in popular music has, for a long time been a little removed from the reality.
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