So if you only need a cardioid mic, the SE2200a is clearly going to save you a lot of money. Preattenuation Pad: -10/-20 dB. If you need a large‑diaphragm, multi‑pattern capacitor mic that's almost as easy to position as a small‑diaphragm pencil mic, the SE4400A, with its elegant shockmount, is a very practical choice in the mid‑priced section of the microphone market. Frequency range: 20 Hz - 20 kHz. Why Are Some A-B Stereo Arrays Angled Outwards? The pattern switching mechanism utilizes two controls. Did we get anything wrong on this page? As with other large-diaphragm condensers, omni mode is not truly omnidirectional; the frequency response does change as you rotate the mic. The sE4400a is a multipattern FET condenser in a compact, familiar form factor — it looks a lot like AKG’s C414. Low-Pass Filter Frequency Response. For the more learned audio enthusiast there is an Impedance of ? sE has a new shockmount design for the 4400a; it had a sliding mechanism that allows the mic to be extended beyond the mount for additional positioning options. I even managed to make some good violin recordings, in which the top end of the instrument sounded very close to how I heard it in the room. But, on the other hand, I couldn't find anything that it couldn't cope with, and its ease of positioning for a large‑diaphragm model was a big plus. The mic reviewed here is designed to meet professional needs, but priced within reach of the serious home‑studio owner, and despite cosmetic similarities to a well‑known Austrian studio classic — which also has a pair of fours in its name — the SE4400a is far from being a copy or clone. Figure 1 depicts a simple RC filter and denotes its input and output voltages, respectively, by V i and V o.. In other words, an ideal frequency response is one that doesn’t adjust the volume of the bass, middle, or treble, from our source. I liked the detail in the top end, which was present but never harsh. Normally, I'd generally go for a mic with a more rounded‑sounding top end for recording violin, but I was putting this mic through its paces, after all, and the result I got responded very well to some gentle top‑cut EQ. Frequency response: 20 - 20000 Hz; 1 " capsule; Requires 48 V phantom power; Incl. Given that the mic is based on a derivation of two back-to-back SE2200a capsules… [I] wasn’t surprised to discover that they sound very similar. Omnidirectional Overall, the quality of finish and styling is excellent, and the same can be said of the included shockmount, which grips the base of the mic in a plastic sleeve tightened by a thumb‑screw. The slim body (0.75'' thick) contains a dual-diaphragm version of the company’s 2200a capsule, a center-terminated, one-inch gold-plated Mylar design. frequency response combined with secondary frequency controls (i.e., automatic generation control). Power requirement: 48V phantom. The frequency response is quoted as 20Hz-20KHz and the sensitivity is 28mv/pa-31, while the impendence is only 50Ω, giving a noise floor of 14dB (A weighted) and a max SPL of What is a "hybrid" audio interface anyway? On its own, this means relatively little, but the frequency plot is somewhat more revealing and shows a nominally flat response, but with a gentle presence peak at around 10kHz. Similarly, the three‑quarter‑inch-thick profile of the mic makes it easy to position in awkward places, such as around a snare drum. Please let us know! The frequency response curve (so-called because a speaker’s or headphone’s frequency response will curve, or roll off, in the low bass and high treble) is pretty flat (“flat” is good, because it means the device is accurate), with no serious peaks, dips or other up-and-down variations. Q. A frequency response of 20Hz‑20KHz is quoted. Being hyper‑critical, I'd have to say that, as with large‑diaphragm mics more generally, it doesn't sound quite as focused as a small‑diaphragm model when used on some acoustic instruments, and its 'omni' mode isn't quite as true an omni as you'd get from a single, small‑diameter capsule. You may login with either your assigned username or your e-mail address. Small size and a choice of polar patterns make this mid‑priced, large‑diaphragm mic a very versatile performer. No obvious cons, although if you only need a cardioid-pattern mic you may be better off buying an SE2200a. Frequency response: 20 Hz - 20 kHz; 1 "capsule; Requires 48V phantom power; Further Information. Is there a 'right way up' to mount a mic? Unlike vintage mics designed for the tape era, the sE4400a was specifically calibrated to work well with digital gear. The characteristics and performance of the industrial control system are analysed by using the frequency response techniques. Q. In fact, the mic's multiple patterns are achieved using a pair of back‑to‑back, large‑diameter (one inch), centre‑electrode capsules that are mechanically similar to those used in the company's SE2200a model. sE Electronics sE4400a Condenser Microphone Features: Large-diaphragm condenser mic with a versatile shockmount Vintage-style appointments like brass-ringed capsules Controls to dial the mic into your application Polar Pattern: Cardioid, Figure 8, Omni, supercardioid Incredibly forward-thinking shockmount Frequency Response: 20Hz-20KHz Because the response is pretty flat, with plenty of low‑end extension, there's no reason not to expect a stereo pair to turn in good results on piano, although I didn't have the chance to try this during the review. The SE4400a is clearly designed as a general‑purpose mic, so I wasn't surprised to find that it had no overbearing tonal characteristics. But when switched to omni, the sE4400a excels at bringing out the "air" at 10 kHz and above, without being icy in the 5-7 kHz range. The sE4400a ships in a steel-reinforced black aluminum flight case with the aforementioned elastic shockmount. Matching Connectors: XLR3F. Attenuation Pad: 10 / 20 dB, switchable sE4400A Large Diaphragm Multi-Pattern Condenser Specifications: Audio. The views expressed are those of the contributors and not necessarily those of the publishers. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. The usual swivel mount attaches the shockmount to the threaded mic‑stand adaptor, and I'm happy to say that the swivel locks really securely, even when the thumbscrew is just lightly finger-tight. PreSonus StudioLive 32SC Series III Mixing Console. Frequency response of the system is defined as the response of the system when standard sinusoidal signals are applied to it with constant amplitude over a range of frequencies. The sensitivity of 14.1mV/pa‑34 (±1dB) puts the mic's output in the same ball‑park as most other similar studio mics, and although its equivalent noise level of 17dB (A-weighted) isn't outstandingly low, it is again pretty typical for this type of microphone, and certainly quiet enough for most studio tasks. First Look: Pro Tools | Carbon. The main body of the mic is finished in a tactile, rubbery coating (possibly Nextel), and the steel grille is also finished in black. The mic can either be mounted to sit snugly inside the shockmount or outside it (inverted), enabling it to fit into tighter spaces than the more common shockmount designs.
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