The curious thing is that while I’m in art college, I’m still playing in a rhythm and blues club - which was basically a blues club, called the Marquee Club, in London - in the interval band. Please refresh the page and try again. “I came to the point where I thought the artwork should be recreated,” Page recalls, smiling. “When I left school, I left school to join a group. So I was really nervous about leaving the house where we did all the rehearsals with Led Zeppelin and everything, and word had got around, so I thought, ‘I can’t leave the house empty. It’s a bit more brittle than either my ’67 Custom Shop or my 60th Anniversary which purports to be like a ’51 but it sounds good nonetheless, just different. And I played on a No 1!”, Jeff Beck knocks on the door and he said, ‘Here, this is yours,’ and he gave me the Telecaster. Some might want one as a closet queen, but I expect that the Custom Shop versions will spend more time down that path. By that time, Page had perfected using a violin bow to create an eerie piercing effect. I would say that both the 60th and the ’67 Custom Shop are better instruments with better body tone and overall playability. It’s not really his signature, that’s only on the Custom Shop version, but as I own an original Jimmy Page Les Paul, I can verify that the signature looks like Pagey’s. Two additional models have been made on Fender’s production lines. I was part of a whole generation of people who were seduced by the sounds of rock ’n’ roll through their radios. “So I came back and thought, ‘Oh, I’m so glad to be home,’ because I really enjoyed my home. Led Zeppelin: Denmark 1968-70, by Jorgen Angel & Søren Vangsgaard, is out now, £20, published by Flying V Books. Meanwhile, the ‘Mirror’ model includes a vintage-style tweed hardshell case, black coiled cable, Ace ‘Stained Glass’ fabric strap and Herco picks. It’s Jeff. The pick guard is not identical to the original of course, but will likely last longer and has the right look. And it all came together, and it was done in an evening. That said, it’s a reasonably priced (sort-of) limited access piece. And so the Dragon laid dormant. “I started putting mirrors on it, so that it would be quite interesting in the light when I was playing it during concerts, and I could use it in an optical way with the lights to shine the mirrors on people while I was playing. There was a problem. But you’ll see the guitar cloned, right now!”, Don't miss the latest deals, news, reviews, features and tutorials. “He really captured the imagination of the youth. Receive mail from us on behalf of our trusted partners or sponsors? “I think they thought it was cool, but I didn’t really need any feedback on it,” he says with a laugh. Unlike the more expensive nitro coated white blonde Mirror version, the Dragon didn’t come with all manner of case candy so I went with a simple white strap and use a set of red Fender strap lock washer rings to hold it in place. Hardly thrilled with his new-found obsession for guitar music, Page’s parents at least tolerated it, he tells us. He’s just loaned some of his most prized electric and acoustic guitars to an exhibition at the Metropolitan Museum Of Art in New York City (including his full stage rig from Led Zeppelin’s 1977 tour), he’s contributed new interviews to a forthcoming documentary about the band helmed by American Epic director Bernard MacMahon, and, he says, he’s been working on new music. But the origin of that unique technique is still fresh in his mind. “The thing about the guitar, though, is that it has peculiarities about it. “I said, ‘Well, I know somebody who’d be really good for this and it’s Jeff Beck.’ So, he went in there. I like it. Then again, Fender’s website is not the most usable one out there. The guitar became Page’s main axe during his late-period Yardbirds days - the first time the legend experimented with playing it with a violin bow on early live workouts of Dazed And Confused - and he took it with him when he, like Beck, left to find his way as an artist in his own right. “To be able to have this guitar so that it would travel beyond what it originally was - as part of my ownership, if you like - so that it could then travel and other people could have it, in an edition that would be more available as well for [more] people. But it was this whole thing of the reflective surfaces, that I could actually reflect the light over, onto other things, and onto good-looking young women and things like that. “It was just an inspired evening. It was a door that gave many of the bands that started in the 60s access to the guitar.”. They feature custom ‘Oval C’-shaped maple necks, ’50s Tele two-piece bodies, top-loader bridges (for through-body or top-load stringing), custom single-coil pickups, lacquer finish and vintage tweed cases, plus case candy. The mercurial Beck left soon after, leaving Page as the band’s lead guitarist. But they decide they wanted to change the name and everything and go off. The artwork is well done with bright vibrant colours aligned with Page’s original that he used poster paints on. We heard this wild music - whether it was Little Richard or Elvis Presley, or even big band stuff, but certainly [a] more rockabilly side of it. Teenage photographer Jørgen Angel was there at the very beginning of the band’s live journey and ended up befriending them, capturing them on and off stage whenever they passed through his home city in Denmark. So I had it stripped. This is it.’ It becomes like an Excalibur guitar.”. “I got to the point where I wanted to consecrate this guitar and really make it my own,” Page remembers of the evening he customised his Telecaster.
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