This will not affect your course history, your reports, or your certificates of completion for this course. An X-Y pair placed 2–3″ over the point where the high and low strings cross. It is worth experimenting with the lid in different positions, but as with any instrument, if the performer has a preference, it can be worth catering to them to encourage the best performance possible. That spot is good for a single-mic technique as all the notes are represented there. Recording a solo grand piano with one mic. Place a Directional mic aimed at the middle of the rounded part of the piano, about 6…feet away from the piano. Discover the industry secrets to recording crisp, rich instrument tracks and vocals in any type of recording environment. New platform. With the piano pulled away from the wall so the soundboard is facing the room, a pair of mics can be placed at a distance of 6–8″ (see Fig. 146). One thing that is suggested that you do is to pull apart the casing from your … You started this assessment previously and didn't complete it. Proper maintenance will eliminate one big hurdle of recording a piano. Start your free month on LinkedIn Learning, which now features 100% of Lynda.com courses. Same content. Thank you for taking the time to let us know what you think of our site. This position can, however, be problematic on an instrument with squeaky pedals. Make sure to aim it at the lid.…Speaking of the lid, try it at different heights, as the sound changes at each position.…(music playing)…If there is not enough ambiance, move the mic back and up to keep it at the same angle.… Use up and down keys to navigate. Ideally, you’ll want a minimum of two microphones. The rest is just a matter of good mic placement. Make sure to aim it at the lid.…Speaking of the lid, try it at different heights, as the sound changes at each position.…(music playing)…If there is not enough ambiance, move the mic back and up to keep it at the same angle.…, (music playing)…Another technique is to place a mic just behind the piano player, above his head and aimed at the strings.…. X/Y microphone placement is one of the most common options for recording piano. Same instructors. You are now leaving Lynda.com and will be automatically redirected to LinkedIn Learning to access your learning content. This course employs 360-degree, 3D visualizations that provide an unprecedented perspective of the equipment, players, and microphone placements discussed. This delivers a punchier sound, so it is often favored for rock and similar styles of music (see Fig. A stereo pair in an X-Y or ORTF pattern can be placed above the pianist’s head. Below are a few options for miking a grand piano: X-Y or ORTF pair at distance of 4–6′. Condenser mics are usually the best choice for a clean, natural sound. With the kickboard removed (there is usually a metal latch holding it in place), one mic is placed at each end. Notes are saved with you account but can also be exported as plain text, MS Word, PDF, Google Doc, or Evernote. 145). Embed the preview of this course instead. One mic over treble strings and one over bass strings at a distance of 1–2′. Use up and down keys to navigate. Below are a few options for miking a grand piano: Over the open lid of the piano, place either a single mic, a spaced pair, or a coincident pair. For this positioning, you’ll use two condenser microphones to create a 90 degree angle. Same content. 145). Pull Apart Your Upright. Some engineers like adding another microphone under the piano facing up to the soundboard to capture the warm, mellow sound of the resonating wood. These can be either spaced with one at each end of the soundboard or together in an X-Y pattern. Become a Certified CAD Designer with SOLIDWORKS, Become a Civil Engineering CAD Technician, Become an Industrial Design CAD Technician, Become a Windows System Administrator (Server 2012 R2), What you should know before watching this course, Using the equalizer (EQ) during recording, Using the high-pass filter during recording, Finding the best place in the room to record, Understanding phase cancellation, the sound destroyer, Finding the right placement in the room for the drums, Miking the bass drum without a front head, Miking the bass drum with front head port, Using the one-mic drum recording technique, Using the two-mic drum recording technique, Using the three-mic drum recording technique, Using the four-mic drum recording technique, Tips for drummers to use before recording, Finding the right placement in the room for the guitar, Recording the acoustic guitar with one mic, Recording the acoustic guitar with two mics, Recording the acoustic guitar with three mics, Exploring stereo acoustic guitar miking techniques, Using a limiter when recording acoustic guitar, Finding the right placement in the room for the bass, Using a limiter when recording the bass guitar, Finding the right placement in the room for vocals, Close miking a grand piano with two mics: Method one, Close miking a grand piano with two mics: Method two, Finding the right placement in the room for horns, The key to miking any acoustic instrument, Recording acoustic instruments with a pickup, Understanding the idea behind stereo recording, Recording the rhythm section in the studio, Listening to how different microphone types affect recording, Choosing the right microphone for the right recording application, Positioning microphones for a wide variety of recording scenarios, Utilizing proper gain staging, preamps, and direct boxes, Using a compressor, equalizer, and high-pass filter during recording, Adding the right amount of compression or equalization, Capturing great sounds from drums, guitars, basses, keyboards, pianos, strings, and vocals, Utilizing a variety of stereo miking techniques, Setting up and producing a recording session, Creating a rough mix in any digital audio workstation (DAW). Learn how to select the correct microphone and polar pattern for each instrument, with hundreds of revealing listening examples for drums, acoustic and electric guitar, piano, keyboards, and more. Here are some placement options for an upright piano: For the grand piano, like the upright, condenser mics with a wide frequency response are a good choice, but the different shape and layout of the instrument requires that it be miked differently. With the lid up, a mic or pair of mics can be placed just outside the lid facing either the strings (for brighter sound) or lid (for mellower, reflected sound) (see Fig. 1:30Press on any video thumbnail to jump immediately to the timecode shown. I would mic the soundboard usually, but as Enlightened Hand says, sound is coming off the piano in all directions from every part of it. One mic over treble strings and one over bass strings at a distance of 1–2′. Are you sure you want to mark all the videos in this course as unwatched? The acoustic piano is one of the most difficult instruments to record well, because of the…extreme range of the instrument and the fact that the sound doesn't come from one place.…But if the piano is the only instrument being recorded, it can be treated like a single sound source.…In this video, I'll show you how to record a solo acoustic piano simply and easily using…only one microphone, because the transient response of the piano is so great, Condenser…or Ribbon mics are usually used.…Don't be afraid to experiment though, since the right mic position will beat the right mic any day.…, Place a Directional mic aimed at the middle of the rounded part of the piano, about 6…feet away from the piano. An X-Y or ORTF pair placed above the pianist’s head. New platform. Type in the entry box, then click Enter to save your note. One suggestion found. Explore Lynda.com's library of categories, topics, software and learning paths. Multiple suggestions found. Develop in-demand skills with access to thousands of expert-led courses on business, tech and creative topics. 144). One of the best things about this technique is that, by blending the microphone over the treble strings with the microphone over the bass strings into a single mono mix, you get excellent control over your piano’s tone. This movie is locked and only viewable to logged-in members. The piano has the greatest range of any instrument, so it’s best to use a microphone that has a wide frequency response. if you take off the lower board in the FRONT (the thing above the pedals) you can see the place where the low strings cross the high strings. The choice between wide-diaphragm or pencil condensers is a matter of taste, but pencil condensers are a little more common.
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