This step shows the scale note names that will be used to construct all triad chords that harmonize with those scale notes. Looking at the Triad chord table, the name of the triad chord quality having major(M3) and augmented(A5) note intervals is augmented. (Down - Top) The IIø - V7 - Imin Chord Progression of the Harmonic minor scale Below are the first (ImM7), second (IIø) and fifth (V7) scale-tone chords of the harmonic minor scale. An interesting exercise is to look at the series of chords based on a scale and how we can use them in compositions. The roman numeral for number 3 is 'III' and is used to indicate this is the 3rd triad chord in the scale. To identify the triad chord note names, use the 1st, 3rd, and 5th columns / scale degrees, which are notes C, E, and G#. In a later step, if sharp or flat notes are used, the exact accidental names will be chosen. This pattern is repeated for all 7 notes in the scale, resulting in 7 triad chords. Because Phrygian Dominant doesn’t fit all that nicely over an alt chord, I’d rather stick to variations of the Melodic Minor Scale over minor 2-5-1’s. Minor 7 flat 5 chords are also known as half diminished chords and both terms refer to the same thing. The note interval name for the 3rd note / scale degree is therefore minor, also called m3 for short. To do this, the first column we used in this step, F, will be moved to the final column of the table. More specifically, we’ll look at the triads and seventh chords. It’s in B minor, so that will be the first chord. The C Harmonic Minor scale for example, has the extra change of the A being replaced by A . To do this, the first column we used in this step, D, will be moved to the final column of the table. Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), 5 Essential Hardware Pieces for the Bedroom Studio, Locrian Mode: Everything You Need To Know About Locrian, Aeolian Mode: Everything You Need To Know About Aeolian. The note interval name for the 3rd note / scale degree is therefore minor, also called m3 for short. The table below shows the A harmonic minor scale, ordered to show the 4th note as the first column in the table. The chord symbol VI could be followed by the letter a to indicate that it is F major chord in root position (ie not inverted) - A harmonic minor scale chord VIa. It is now two notes distant from the C Major scale. Although the above method identifies each triads notes from the scale used - it does not identify the complete chord name including its quality. Just like a minor chord, the diminished chord is constructed using a minor third interval, so the roman numeral is shown in lower case. Here are the modes of the Harmonic Minor Scale once again: I have included the Roman numerals with each mode and have listed them in order. Lydian Mode: Everything You Need to Know About Lydian. Tertian chords are built by stacking thirds. The A harmonic minor chord iio is the B diminished chord, and contains the notes B, D, and F. This supertonic chord's root / starting note is the 2nd note (or scale degree) of the A harmonic minor scale. The A harmonic minor chord i is the A minor chord, and contains the notes A, C, and E. This tonic chord's root / starting note is the 1st note (or scale degree) of the A harmonic minor scale. Finally, letter c could be used to indicate that it is D minor chord in 2nd inversion - A harmonic minor scale chord ivc. For example, of the four main heptatonic scales I talk about (Major, Melodic Minor, Harmonic Minor, and Harmonic Major), the Harmonic Minor is the only one to have a dominant seventh chord on one degree and a major seventh chord on the degree a half step above (the 5th and 6th degrees). Every white or black key could have a flat(b) or sharp(#) accidental name, depending on how that note is used. Repeating this for the 5th note / scale degree, the distance between E and B is 7 half-tones, and the note interval name is perfect (P5). Try adding extensions to the seventh chords I’ve listed, try secundal or quartal harmony rather than tertian harmony. The Mixolydian Mode: Everything You Need To Know! + 35 four-note chords So the first mode of the Harmonic Minor Scale is built on the first note (therefore it’s the same), and the second mode of the scale is built on the second note, and so on so forth. The roman numeral for number 7 is 'vii' and is used to indicate this is the 7th triad chord in the scale. All about the key of Gm and its chords. So, without further ado, let’s build the chords of the Harmonic Minor Scale! G Harmonic Minor Scale Let’s now take a look at the G harmonic minor scale. The A harmonic minor chord V is the E major chord, and contains the notes E, G#, and B. For example, Csus2 contains the notes C D G and Gsus4 contains the notes G C D. They are indeed the same chord, only voiced differently. More details of this interval are at F-maj-3rd. Full diminished chords are build by stack only minor thirds. Repeating this for the 5th note / scale degree, the distance between A and E is 7 half-tones, and the note interval name is perfect (P5). + 1 seven-note chord After that, it moves to a major VI, major III, and major VII chord. Just like a major chord, the augmented chord is constructed using a major third interval, so the roman numeral is shown in upper case. The A harmonic minor chord VI is the F major chord, and contains the notes F, A, and C. This submediant chord's root / starting note is the 6th note (or scale degree) of the A harmonic minor scale. The Harmonic Minor Scale provides us with all four types of triad: diminished (dim), minor (min), major (maj), and augmented (aug). Should each triad that we build be called major, minor, augmented, or diminished ? In place of the b or c symbols above, figured bass symbols could be used to indicate inversions after the chord number symbols VI: So in this key, VI6 refers to the F major chord in 1st inversion, and VI64 refers to the F major chord in 2nd inversion.
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