Sep 26,2020 Throughout her career Zeisler sought to create "large, strong, single images" with fiber. $3,360 - 5,298 Malarcher, Patricia. ; "Fiber Works: Americas and Japan," Kyoto and Tokyo, 1977; "Fiberworks," The Cleveland Museum of Art, 1977; "Chicago: The City and Its Artists, 1945-1978," The Univ. of Texas at Austin, 1973; The Cleveland Museum of Art, 1974; Herbert F. Johnson Museum, Cornell Univ., Ithaca, 1974; 1974, 1976, IEMT; National Gallery of Art, Wellington, New Zealand, 1975; "Textile Objekte," Kunstgewerbemusum, Berlin, 1975; "American Crafts '76, An Aesthetic View," Museum of Contemporary Art, Chicago, 1976; "The Object as Poet," Renwick Gallery, National Collection of Fine Arts, Washington, D.C., 1977; "American Crafts 1977," Philadelphia Museum of Art, Phila. Sep 16th, 2019. Find the latest shows, biography, and artworks for sale by Claire Zeisler Buy / Sell. Nov 27,2020 About us. In 1946, she married physician and author Ernest Bloomfield Zeisler,[4] the son of Fannie (née Bloomfield) Zeisler and Sigmund Zeisler. Learn. They had three children, Joan (née Florsheim) Fraerman Binkley (married to architect Leroy "Roy" Binkley), Peter Florsheim, and Thomas Florsheim, Sr. before divorcing in 1943. [21], Zeisler's work is held in the following public collections: "[11] Zeisler perceived that knotting, although it was then used mostly in third-world countries and by sailors, could free her from the geometric and two-dimensional limitations of the loom and would allow her to work in three dimensions. The ancient and ethnic textile cultures in Zeisler's private collection contrasted the textile culture in the West that became dominated by the mechanized loom after the Industrial Revolution. [5], Zeisler studied at the Chicago Institute of Design (formerly New Bauhaus) in the 1940s with Eugene Dana and the Illinois Institute of Technology where she was taught by the Russian avant-garde sculptor Alexander Archipenko and the Chicago weaver Bea Swartchild. Dec 16, 2020, Christie's London Using the loom, Zeisler created place mats and textiles for use in apparel. Claire Zeisler, Free Standing Yellow, 1968. 36 1/2" x 43" x 42" Spill, c.1985 jute with metal base 45" x 42" x 42" Exhibitions. "[16] Her later structures are characterized by cascading strands of loose fiber that spill over the floor forming a tangle. Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices. Advertisement . Place an Ad. Claire Zeisler is known for Three dimensional knotted and wrapped fiber art, weaving, art collector. The Women Weavers of the Bauhaus Have Inspired Generations of Textile Artists. Buying on Artsy Consign with Artsy. "[10] "Woven Forms" received only one published response by the press, that of artist Louise Bourgeois who reviewed the show for Craft Horizons. Untitled, c.1968 jute with metal and wood base 47" x 63" x 64" (dimensions variable) Untitled, c.1968 jute with metal armature 70" x 18" x 9" Hommage to Masae, 1969. red jute . Total Sold Value $7,041,248 of California, Los Angeles, 1971; museums in Zacheta and Warsaw, Poland, 1971; Utah Museum of Fine Arts, Salt Lake City; Museum of Contemporary Art, Chicago, Ill.; "Sculpture in Fiber," Museum of Contemporary Crafts, N.Y., 1972; 1973 BIT; Univ. Claire Zeisler: Fiber sculpture, 1978. Nov 23, 2020, Dorotheum, Vienna Education The Art Genome Project. Sold with additional documentation from … - Jan 30,2021, American [7] She had her first solo exhibition, at the Chicago Public Library in that year (Jan. 2–30), at the age of 59. Chicago Public Library, 1962; Renaissance Society, Univ. $487,743 - 719,133 | [17], Zeisler's work was presented in retrospective exhibits in the Art Institute of Chicago (1979) and the Whitney Museum of American Art (1985). Articles Featuring Claire Zeisler. Charts / Record Price. Nov 17, 2020 - Nov 24, 2020, Galerie Eigen + Art, Leipzig Description: Claire Zeisler Untitled (necklace) c. 1965 cotton and linen thread 15.5 h × 8.5 w in (39 × 22 cm) This work was reviewed by Joan Binkley, the daughter of Claire Zeisler, at the time it was acquired by the Vogeles. Berlin | Germany Instead of an emphasis on the utilization of textile making, avant-garde artists instead sought to revitalize the mechanized process through an emphasis on handcraft in which the artists gained "unmediated contact" with the materials. 'Sculpture of Claire Zeisler', "Claire Zeisler, an Artist, Collector And Fiber-Art Innovator, 88. Claire Zeisler (April 18, 1903 – September 30, 1991) was an American fiber artist who expanded the expressive qualities of knotted and braided threads, pioneering large-scale freestanding sculptures in this medium. Claire Zeisler (1903-1991) Selected Works; 1 of 4. See all articles. Claire Zeisler (April 18, 1903 – September 30, 1991) was an American fiber artist who expanded the expressive qualities of knotted and braided threads, pioneering large-scale freestanding sculptures in this medium. Her response was negative and revealed many of the prejudices that came from fiber art's low culture connotations. These weavings, delightful as they are, seem more engaging and less demanding. But it was after her inclusion in 'Woven Forms,' a seminal exhibition at the Museum of Contemporary Crafts in New York City in 1963 (Mar. European fiber artists up until the exhibit had been working in the tradition of flat loom tapestries, and even in comparison to Tawney and Hicks, Zeisler’s work departed the most drastically from this convention. [13] Her well-known Red Preview, in the collection of the Art Institute of Chicago, has been called "strikingly erotic in form, both phallic in its vertical thrust and labial in its organization. Es lohnt sich, in den Interviews mit Claire Zeisler und anderen nachzulesen, wie aus “Dilettantinnen” grosse Textilkünstlerinnen wurden (Fußnote 1) In Osteuropa fand auch schon sehr früh in den 60-er eine Rückbesinnung auf die eigene textilen Traditionen statt. [8] It was followed in the same year by an exhibition of her weavings and selections from her collection, at the Renaissance Society at the University of Chicago (Oct. 9–Nov. [19] In 1982, Claire Zeisler was honored in New York City by the Women's Caucus for Art for her lifetime in art.
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