That is, the CmMaj7 chord (C, E♭, G, B) can be used as a voicing for any chord in the key of C melodic minor just by changing the bass note. The melodic minor scale is used a lot in jazz theory textbooks and classroom settings because it’s a great way to conceptualize improvising over some more unique chords and chord extensions. Chords In The Key As we have learned already, in order to play a chord we have to include, at a minimum, the 3rd and 7th of that chord (the root and the 5th can be omitted). If you are writing a song in a minor key, then the scale gives you a lot of crunchy chords to choose from. The reason is that chords built on melodic minor scale notes don't tend to work so well together. Melodic Minor Over V7alt. This doesn't necessarily mean they're unusable and it's worth noting the chord differences between the minor scales because minor keys are often made from a combination of the minor scale variations. The melodic minor scale is really only used by jazz musicians, but there are a lot of chords that can be built from the scale. As mentioned before, the Melodic Minor scale is most often used as the basis for melodies, rather than chords. All styles of Western music use minor scales to produce melodies, chord progressions, and motifs. Here is a couple of progressions though, to illustrate the sound of the harmonies which are produced by the C Melodic Minor scale. The altered scale is the 7th mode of melodic minor and is used to solo over 7th and 7alt chords to bring out the b9, #9, b5, and #5 intervals. There are three types of minor scales in music theory: the natural minor scale, the harmonic minor scale, and the melodic minor scale. Now, if you’ve been listening to this podcast for a while, you know how I feel about scales. Detailed information for the scale F melodic minor. When using melodic minor in this context, you outline the altered scale sound. The other common function for minor chords in jazz, beyond the Im7 chord, is the iim7 chord. The next application of melodic minor is to solo with it over 7alt chords, in this case, the D7alt chord from Autumn Leaves. The melodic minor is used when ascending the scale, the natural minor is used when descending the scale. This scale is a very useful and versatile scale for improvisers to know and not just for soloing over minor chords or tonalities. T he melodic minor scale is a scale that you’ve probably learned early on in your musical development, but it can take on a whole new life when applied to jazz. In Classical music theory the melodic minor and natural minor are combined into one scale. Notes, Intervals and relations to other scales in the database. Melodic Minor Scale Over iim7 Chords. This idea is not used in a jazz environment and in modern music is somewhat redundant, except in high school classical music study. Let’s start with this recording this one: Cm – F7 – G7 – G7 Grab your looper or a backing track and try playing some melodic minor shapes over some chord progressions. The obvious usage for Melodic minor would be to just play it over any of the chords above. The most common is the natural minor scale, but the melodic minor scale appears in many styles of classical music. This will a yield a cool new sound you can add to your improvisations. Melodic Minor based chord progressions are less common.
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